The Last Four Words of the Gilmore Girls Movie

matching pouts

Part of the Gilmore Girls mythos is that the show’s creator Amy Sherman-Palladino has the last four words rattling around in her head.  Words that she would have written, had the studio kept her for the final series or asked her to write the final episode.

ASP: When the negotiations [for the final season] got so crazy we thought, Maybe we’re high? Maybe they don’t want it for the next couple of years. But by not having control of that, it shifts the focus of what my last words would have been. I was also holding on to it for a long time because I was thinking if we did do a movie, I would be able to use it there. I don’t think that’s ever going to happen so, I don’t know. Maybe I’ll eventually say the four words. I feel like now I’ll let people down because it’s been so built up. “Really? That’s what we waited all these twelve years for? Well, thanks so much.”

Quote from a terrific interview at Vulture.

Since that quote, we’ve had the Veronica Mars kickstarter and the subsequent outpouring of Gilmore love in response.  We’re also going through this weird Bunheads hiatus and I can’t see ASP twiddling her thumbs waiting for inspiration. Somewhere out there, I’m thinking ideas are knitting together. JK Rowling wrote the final chapter of the seventh Harry Potter book long before the first was even typed up. Gah, it’s such a tease! I can’t help thinking that if you know the destination, you’ve got some idea about the journey.

What do you think those final four words might be?  And who says them?  Get your thinking hats on and browse these last lines of Gilmores past for inspiration:

Series 5:

Lorelai: Luke will you marry me?
Luke: … What?

s05e22 A House Is Not A Home

Series 4:

Rory: I hate you for ruining this for me!
[Rory runs out of the house and calls Dean’s mobile phone. His wife answers.]
Lindsay: Hello? Hello? Hello?

s04e22 Raincoats And Recipes

Series 2: Lorelai and Rory at Sookie and Jackson’s wedding.  Both have been knocked askew, Rory from kissing Jess and Lorelai from Christopher’s news that Sherry is pregnant and his immediate departure.

Rory: I think I’m going to Washington.
Lorelai: Oh… Okay.

s02e22 I Can’t Get Started

Series 3: Rory’s graduated from Chilton and they’re about to leave the building for the last time.

Lorelai: It’s not so scary any more.
Rory: No. No, it’s not.

S03e22 Those Are Strings, Pinocchio

My guess?

Lorelai (to Luke): It’s never too late.

or maybe

Kirk: Help? Help somebody please?

“Bunheads” 1.14 ‘The Astronaut and the Ballerina’ – Recap and Discussion!

“Bunheads” 1.14 ‘The Astronaut and the Ballerina’ – Recap and Review
Airdate 28 Jan 2013

snuffleupagus

Jordan, Sasha’s dance partner, is leading the ballet class like it’s boot camp and the dancers are all over the place. In a moment of quiet, Boo and Ginny note that Sasha is shopping for an apartment after her parents separated and split. Melanie is mysteriously absent and while Michelle temporarily distract’s Jordan’s regime, Boo gets a phone call from her mum, evidently run ragged by the kids. One of them is stuck under the TV and she’s not sure who. Jordan shows the class how it’s done and boy, that kid can pirouette.

Melanie has taken up Cozzette’s suggestion and tries out for the Derby Dolls roller derby team. Their hot pink skulls motif shows they’re bad girls. With Melanie’s tomboy tendencies escalating recently into violent outbursts, she’s keen to go.  I suspect she’ll have to remove those gigantic hoop earrings.  Ginny could hula hoop those things.

The Hunan Garden Chinese restaurant next and Melanie and Ginny are dining with Melanie’s dad and Ginny’s mum. The parents seem to be good friends, but not that good. Dougie (Mel’s dad) broaches the subject of Ginny’s dad’s re-marriage to the as-yet-unseen Faye Mendelssohn, giving Claire (Ginny’s mum) free reign to vent copious spleen. The wedding is next week, Dougie and Melanie are going and Ginny hates her boxy bridesmaid’s dress.

Ginny: It’s a Chinese restaurant mum. They don’t do Gay Marines.

At a quiet night at the Oyster Bar, Michelle apologises to Godot after assuming he was dumb last week and makes up for it by giving him Finding Nemo on DVD. She makes big naughty eyes at him and he succumbs, closing up early and walking her home.   Only to find Michelle’s brother Scotty waiting on the porch. Godot is sent politely packing – at least for tonight – and Scotty explains his tuxedo and purple cummerbund. He’s just come from his wedding night (his fourth) to a redhead hostess in Tupelo who he’d known for a month. She says he can have the couch, so Truly (and Sasha) must have found somewhere else to sleep.

The next morning before class, Michelle is talking to Scotty’s wife Mandy on the phone and arranging to get his stuff back. The class itself is interrupted firstly by Boo trailing three kids and setting up daycare in the corner – then by the kids themselves and Boo’s scolding. Carl, Boo’s older-than-his-years boyfriend comes to the rescue, picking the kids up after his work shift.

It’s later at the Oyster Bar, Carl and Boo look and talk like parents run ragged.

Carl: I’m still sticky. What is this and how did it get all over me?
Boo: It’s what our lives are now. We’re sticky and we’re tired.

After reunion drinks at the Oyster Bar, back at Michelle’s place, she and Scotty talk about sorting their lives out and he returns her long-lost ukelele.

Melanie takes a sliding fall at the roller derby and rather likes the taste of it. Cozzette, the unfeasibly popular new girl, is DJ-ing the session.

In the dance school’s changing room, Ginny is freaking out at the boxy bridesmaid’s dress and Melanie promises to help Ginny at the wedding. With Ginny out of the room taking a call from her mum (who’s stalking Faye Mendelssohn’s dog) Melanie apologises to Cozzette for not talking to her when she’s with her clique and Cozzette says she understands about  group dynamics. Ginny scares everyone in the vicinity away, talking about her crazy mum and worrying that she’ll end up crazy and ends up talking to herself. Frankie – Cozzette’s brother who has a potential mutual attraction thing going with Ginny – notes that genius is often touched with madness, which makes them fun.

Frankie: Your face reminds me of a Vermeer.
Ginny: It does?
Frankie: The Milkmaid.
Ginny: I like milk.

Scotty intrudes on the rehearsal and embarrasses and undermines Michelle by telling a childhood story about Michelle and the ballet teacher she hated. Brad Ellis (the piano guy from Glee and Rory’s Yale graduation party) seems to be growing his beard out. Cozzette takes Michelle’s feedback on her posture a little intensely. She and her brother Frankie are unusual, even by Paradise standards.

Boo and Carl bicker over the kids and needing space and Carl sacrifices his gym time and pats his own fine ass. Overbearing Jordan becomes Oddly Pleasant Jordan after Boo SuperNannies him, threatening him with a Time Out. Ginny calls Boo in a state – she’s at Faye Mendelssohn’s trampolining pre-wedding photoshoot and Melanie’s gone AWOL. Boo suggests she call Charlie, he probably knows where Melanie is.

Ginny half-stumbles into the roller derby, where Melanie (newly christened ‘Cleo-Smack-Tra’ by Frankie and Cozzette) realises her blunder and goes to apologise. Ginny is distraught and covered in punch, thrown by her mum over the wedding party when she found out about it. Melanie explains her attraction to the roller derby as an outlet for the pressures of sucking at school and her dad pressuring her to go to college. Ginny goes ballistic at Cozzette for seemingly trying to steal Melanie as a friend and storms out.

Michelle is putting away dance costumes and is fuming at Scotty, who turns up to ask for another set of keys. She’s mad at him undermining her in front of the girls and together they kick up dust and resentment and push each others’ buttons the way only someone who really knows you can. He’s unable to see her as what she has become and in trying to convince him otherwise, she takes stock of where she is and how she’s changed. She’s completely fired up and sure of herself and leaves Scotty there, whether he’s heard her or not.

Michelle: Fanny. My mother-in-law. She told me that you make your own family. You make your own destiny and there is nothing that you cannot change if you are completely committed to it.

Michelle is sitting alone on her porch step, plucking at her ukelele. Scotty walks up, sits down and they sing the Patience and Prudence duet ‘Tonight You Belong To Me’. The song’s melodies intertwine and harmonise and you know he’s sorry and she’s sorry and they’ll move on together. And probably argue just as passionately tomorrow but that’s who they are and what they do and how they love.

Closing credits go to Jordan having a Black Swan moment, training himself just as hard as he trained the class.

Jordan: “I’ll be better after a banana.”

Discussion

Penned by ASP and Daniel Palladino, I can’t believe they didn’t title the episode ‘Beaver! Beaver! Beaver!’ after Boo’s screaming at the boy named Beaver.

Glad to see Boo back.  Just before the 17 minute mark, as Boo (Kaitlyn Jenkins) mouths apologies to the class for the disruptions, she makes eye contact with Michelle (Sutton Foster) and almost corpses but makes like a balloon knot and holds it in.  Did you notice Boo’s giggle?

No Sasha, or Fanny – in fact very Gilmore-lite this whole episode, if you don’t count Brad Ellis’ beard and Kirk’s – I mean Sebastian’s – coffee cups. We have been spoiled in recent weeks but impressively instead, the whole supporting cast steps up:

- Carl (Casey Adler) had a nice running gag going with the kids-as-parents schtick
- Jordan (Kent Boyd), the male lead from the Wall Street rat-dance nutcracker plays dictator and makes Fanny look soft.
- Tell me you didn’t make puppy noises when ten-year old Margaret (Olivia Brothers) was dressed down by that big ol’ bully Jordan
- We even got to see the series’ Snuffleupagus, Faye Mendelssohn. Well, kind of. Bouncing on a trampoline in the background.
- Melanie’s Mum Claire (Kierston Warren) and Ginny’s Dad Dougie (Taylor Nichols) add some more back-story and another nuclear family to join Boo’s.
- Matisse (Matisse Love) and Louise (Simrin Player) are aspiring starlets and Jordan’s starry-eyed fan-club
Who would you like to see more of?

And the big one of course, Michelle’s brother Scotty. His part made for an uncomfortable and shouty second-half, that while important in terms of Michelle’s character progression, kinda makes me want to see the next episode back-to-back. More than anyone, Scotty has the power to show us – and Michelle – how far she’s come and what she’s capable of.

Scotty and Michelle, played by real-life siblings Hunter and Sutton Foster share natural comic timing and their familiarity comes across like an old sofa. He’s not an endearing character, at least not yet – he’s too smart to be a TJ, too serious to be a Jackson – but I think he’ll shine as he comes into contact with more Paradise residents and figures out who he is – if that even matters.  He’s well-cast as her sibling, don’t you think?

Melanie kicked ass last episode and in skates, I thought she’d be like Bambi on ice. Instead, Emma Dumont pulls a Tom Cruise, performing her own stunts. Of everything in this episode, I desperately wanted to see more of her in action, but I wonder where they’re going with this.  In creating such an eye-catching gimmick, has Bunheads jumped the shark?

And the shiny Bailey Buntain, looking as good in a boxy dress as anyone ever could. I think I’m developing a crush. Sigh.

As ever, all pictures are here courtesy of ABC Family

“Bunheads” 1.12 ‘Channing Tatum is a Fine Actor’ – Recap and chit-chat!

“Bunheads” 1.12 ‘Channing Tatum is a Fine Actor’ – Recap and chit-chat!

Stars Hollow must be getting awfully quiet since almost everyone except the two Gilmore girls are bringing the laughs to Bunheads’ Paradise.

where's leonard

No ‘previously on Bunheads’ this week, so keep up at the back.

Tappa tappa tappa! Miss Fanny appears to be having a week off so Michelle’s leading the grown-ups’ evening tap class with Rose Abdoo (Gilmore Girls’ mechanic Gypsy) stealing the show, very much dancing to her own tune. Michelle sees the class off and turns the lights out however they don’t stay out. Sasha’s stolen in and Michelle, after last week’s emotional reunion, lends some kindly and motherly advice.

Michelle: I’m proud of you, I hope you know that… I hope you know that if you ever need someone to talk to or just a place to hang… I’m here.
Sasha: … Thanks
Michelle: So is he outside or still on his way?

Michelle’s wily enough to know that Sasha’s boyfriend Roman is sneaking around outside, calls him in and dismisses him before inviting a contented Sasha in for food.

Next morning, Michelle is drilling the ‘shorties’ ballet class – ooh, Liza Weil in the credits! – and calls it a day when they’re at the point of teetering over. Talia, Michelle’s best friend, calls from Vegas and has set up a blind date for Michelle, a guy called Marion. From the fuzzy picture and loose description, nobody’s getting their hopes up.

While Melanie is disappointed to learn that there’s no whale in The Great Gatsby, Boo is stressing about the premature arrival of her boyfriend and one-time dance partner, Carl. He’s catching an early train home from summer camp to be with her and turns up even earlier, before she’s had a chance to make herself feel pretty – of course she looks great anyway and Carl (Casey Adler channelling Scott Baio) is fast becoming very likeable. He’s a good guy and reminds her about having Thursday night dinner with his folks. He gives her a bow and arrow that he made at camp and she runs off to be mistaken for Katniss Everdeen.

Truly, the local dressmaker and nutjob, turns up outside Michelle’s shack holding her fall collection. Truly’s landlady has locked her out because she hasn’t been paying the rent on Sparkles, her shop / apartment since it rocketed up $1200. Michelle says she can keep the clothes in her closet.

Our quartet of ballerinas – Boo, Ginny, Melanie and Sasha – arrive at school when hark, the sound of newcomers. A brother and sister arrive on a continental scooter, very glamorous with the added dazzle of course, that they’re new.

Truly shows up early at Michelle’s place to preview her fall clothes to a prospective buyer, Jill. Michelle, in brief briefs, acquiesces and fetches coffee.

Back at school, Melanie wanders the school corridors reading two books at a time while listening to a third and the two newcomers are creating a storm of intrigue and envy. Cossette, the girl, has been heard speaking French, Japanese and Spanish while Frankie plays classical piano and violin and the two of them appear to magically change outfits as the day progresses.

Boo still waitresses at the Oyster Bar, where we next find her asking Michelle for advice on dinner with Carl’s parents. Michelle tells her not to be herself and instead to be what she thinks the parents want to be.  More importantly, at all costs, she should get out after 90 minutes since in her experience that’s when something embarrassing goes down. She even lends Boo her watch because nobody under 20 years old wears watches any more.

Carl’s overbearing mum ‘Sweetie’ (Gilmore Girls’ lucky talisman Alex Borstein – Drella the harpist and Miss Celine the dresser) is ordering the whole menu at the Chinese restaurant while his Dad half-heartedly tries to stop her. Boo is taking Michelle’s advice a little too literally and at 90 minutes, stands up and hides round the corner under the pretence of visiting the restroom. While there she hears Carl tell his parents that they should get used to the idea of having Boo around because ‘I could marry this girl’.

Michelle arrives back at her bungalow to what seems be a party inside. In one of many laugh out loud moments, Roman slinks out of the bushes again. Of course it’s Truly in the house, this time giving an open evening to a bunch of her customers. Michelle is a little happier about it when she sells one of her lamps for fifty bucks and says she’ll go with Truly to talk with her landlady about the unreasonable hike in rent.

Another day at school, our quartet are pondering how Cossette has already permeated the upper echelons of the school social ladder and volunteer Ginny to go talk to the new boy, Frankie.

Frankie tells Ginny that he and his sister are nomads from Bavaria (seriously?)  With typical candour, Ginny gushes that she’s always wanted to see Mad Ludvig’s castle in Bavaria – and he not only knows Ginny’s name but he’s been sketching the four girls, picking her out in particular. Schwing!

Returning the favour, Carl is now dining with Boo’s parents at their house. Her dad is a fireman and her mum is putting her own spin on paella. Eating Bananas Foster whipped up by Carl, they watch a bizarre little cowboy dance sequence by I assume, one of Boo’s brothers, to Wylie’s Yodelling Cowhand. Carl then suggests they help clean up and gives Boo a sweet kiss on the forehead. “OK I’ll marry you” she blurts, then talks for a minute planning their lives together. Carl, the cool cucumber, lets her rave then defuses the situation perfectly, explaining that his mum Sweetie sometimes only listens to the over-dramatic. Boo’s OK with this and gives him a winning kiss.

Millie, Truly’s landlady, arrives to meet Michelle and Truly at the Oyster Bar.  Truly has a nervous jackrabbit leg.

Truly: My niece isn’t even allowed to sit on my lap any more, not since I catapulted her into a wall.

She’s very business-like and very probably on the autistic spectrum but then what would you expect – it’s not only Truly’s sister but the ever-awesome Liza Weil (Gilmore Girls’ Paris Geller) who bears more than a chip on her shoulder.

Millie confides to Michelle that she hasn’t forgiven Truly for seducing her serious boyfriend away.  Worse still, it was Hubbell – the man that fell in love with Michelle and married her and died and brought Michelle to Paradise in the first place. Michelle confesses the same and, with any chance of a deal blown out of the water, Michelle tells Truly she can use her place until they figure something out.

The quartet (in woolly Ugg-like boots) are surprised to find Cossette in their dance school, performing to Benjamin Britten’s Cuckoo! (performed by the Downside School Choir and featured recently in the brilliant Moonrise Kingdom). Frankie throws a paper airplane down from the balcony to land in Ginny’s lap. It’s a drawing he’s done of Mad Ludvig’s castle with a note ‘Destroy this’. I get the feeling she won’t.

Night-time in the dance studio and as Michelle walks in, Sasha rolls her eyes and texts Roman: ‘ABORT!!!. Michelle is back early from a failed date with Marion and lends more parental advice.

Michelle: Oh Sasha you don’t know the first thing about dating. As soon as you meet a boy you dump your friends. That’s what boys are for!

There’s someone outside – and it’s not Roman. It’s Sasha’s mum and Michelle leaves them to talk. Sasha’s mum says that Sasha’s dad is leaving, for good, to San Jose to be with his partner and that Sasha must choose between going with him or going with her back to L.A.

“I’m not leaving”, says Sasha. “I’m not leaving.”

 

Discussion points, for your delectation:

Gilmore Girls’ Guest Spots, come and get ‘em! We got ‘em coming out our ears!!  We got Gypsy. We got Drella and Miss Celine. We got Daniel Palladino writing and directing and (drum roll)… ladies and gentlemen, please. We got Paris Geller.  A wealth of riches and all on top form.  Like last week’s episode, there were surprises on top of surprises and writing shiny enough to justify the talent.  Alex Borstein played an unsympathetic part that had me rolling around (“Ignore him, he’s having a stroke”) and does anyone know who her husband was?  He only had like three lines and he killed them all.  Liza Weil plays to her abundant strengths and rattles off her lines with practiced Gilmore delivery, to wit. the “lube” line followed by “A glittery toilet seat with Barry Gibb’s face on it does not constitute an improvement”, then the dynamite reveal of Hubbell’s involvement.  Masterful stuff.  And an honourable mention to Stacey Oristano, who is just stand-out brilliant and a whimsical delight and needs to be retconned into Stars Hollow.

Other nods to Gilmore Girls : Boo with her ‘which dress to wear’ quandry, in desperate need of Lorelai’s super power; Sasha wanting to stay in Paradise for the school more than the boy akin to Rory wanting to stay at Stars Hollow High, for the boy more than the school.

Michelle seems to be falling over herself now in dispensing advice to her brood, albeit with very differing outcomes.  Her advice to Sasha seems to be that of a loving and forgiving mother, reflecting from her own experiences.  Whereas with Boo it comes out more like a well-meaning sister.  I think Michelle sees a lot of herself in Sasha and this can only deepen when Sasha’s parent’s leave her.  But poor Boo!

The wandering nomad twins, Ginny and Frankie look to stir up troubles.  Jeanine Mason ably plays Cossette, the sister and I’m warmly intrigued by the initial tingles between Frankie (the smokey Niko Pepaj) and Ginny.  He’s aloof in a way I don’t think we’ve seen before in the Gilmore world and Bailey Buntain transmits every emotion like electricity.

Lastly, nice to see Boo’s Dad in person.  A seemingly solid guy and no longer an invisible Mr. Kim (Lane Kim’s ever absent Dad).  But in gaining one dad, we lose both of Sasha’s parents.  I guess we’ll see how that goes…

Photos c/o ABC Family

Dan Palladino Joins “Flintstones” Reboot

Co-creator and writer of Gilmore Girls, Dan Palladino, is slated to become a part of the newly-announced re-birth of the Flintstones.

The new series will live on FOX, beginning production this year for the 2013 tv season. Dan Palladino will serve as executive producer alongside Kara Vallow (Family Guy) and Seth MacFarlane (Family Guy).

Matt Czuchry Talks “Gilmore Girls” Movie

Matt Czuchry (Logan Huntzberger on Gilmore Girls) is my Gilmore Girls star of the day, apparently. We top of the fantastic news day with this gem – Matt talking about the possibility of a Gilmore Girls movie!

Matt has no news about any Gilmore Girls movie, though fans do ask him often about it. He did happen to see Amy Sherman-Palladino and Dan Palladino on the street in New York recently, and though the topic did not come up, he ends with “fingers crossed, fingers crossed.”

And that’s what we shall do! Keep our fingers crossed, keep our eyes and ears open, and keep the spirit of Gilmore Girls alive!

“Wyoming Project” Dead

Sad news! Though Scott Patterson‘s (Luke Danes on Gilmore Girls) new pilot series for NBC, The Event, and Melissa McCarthy‘s (Sookie on Gilmore Girls) has new CBS comedy pilot, Mike and Molly, were both picked up for the Fall season, The Wyoming Project, the upcoming pilot from Amy Sherman-Palladino and Dan Palladino (creators of Gilmore Girls), has not!

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The CW has not chosen to pick up the Palladino series. Instead, the network has chosen to pick up two other new shows for the Fall slate: Nikita and Hellcats.

Big pout. :(

Image: The CW

First Photo of Amy Serhman-Palladino’s New Series

The Wyoming Project, the upcoming pilot from Amy Sherman-Palladino and Dan Palladino (creators of Gilmore Girls), is starting to get some promotion. The CW has recently released a couple of images for the project, which is currently only called The Wyoming Project as a development title – it’s also sometimes known by The Damn Thorpes.

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The new series focuses on a horse trainer who must take over his parents’ ranch after their death and raise his 3 sisters.

Image: The CW